| 1937 | Born in Lennep |
| 1955-1962 | Mural painting studies at the Wuppertal Art Academy |
| | Photography studies at the Bavarian State Facility for Photography, Munich |
| | Experimental Photography studies at the University for Visual Arts, Berlin, under Heinz Hajek-Halke |
| 1960 | First body photogram in Berlin |
| 1964-1971 | Work on body photograms with chemical painting, folding pictures and plate pictures in Munich |
| 1966 | Lecturer for photography at the State Art Academy, Kassel |
| since 1972 | Professor of Experimental Photography at the Kassel Art Academy |
| | Founding of the Academy Gallery Fotoforum, Kassel |
| 1971-1975 | Work on photographic syntax |
| 1976 | "Dissolving Bodies" and photogram performances |
| 1982 | Photogram portraits |
| 1984 | Large-format photogram pieces |
| | Start of "Nachtbilder" (Night Photos) |
| 1985 | Establishment of "Photogram" as main research at Kassel University |
| 1989 | Start of ULO (Unidentifiable Lying Object) photograms |
| 1991 | Start of the work group "Plants, Flowers and Fruits " |
| 2000 | Start of the work group "Anteidola" |
| | Lives and works in Kassel |
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| 2005 | Floris Neusüss, Schattenwesen - Lichtgestalten (Shadow Beings - LightCreatures), Kunstverein Augsburg |
| 2004 | Helden, Herrscher und Passanten (Heroes, Rulers and Passers-By), photograms by Floris M. Neusüss, Georg-Kolbe-Museum, Berlin |
| 2003 | Tagesformen (Daily forms), Kunstverein Marburg |
| | Floris Neusüss - Photograms, Gallery Camera Work, Berlin |
| | Anteidola, Photograms by Floris M. Neusüss in the Glyptothek, Munich |
| | Köpfe und Körper (Heads and Bodies), Gallery in focus, Cologne |
| 2002 | Floris Neusüss, Fotogramme - Neue Arbeiten (Photograms - New Works), Gallery Karin Melchior, Kassel |
| | Lob des Eigensinns (Praise of Self-Will), Städtische Gallery im Cordonhaus, Cham |
| 1999 | ULOs(Unidentifiable Lying Objects) und ILOs(Identifiable Lying Objects), MultipleBox, Hamburg |
| | Floris Neusüss - Fotogramme, Gallery Camera Work, Berlin |
| | ULOs und schwarze Sonnen (ULO's and Black Sun), Gallery in focus, Cologne |
| 1998 | ULOs, Arte Fiera, Instituto di cultura germanica, Bologna |
| | ULOs und ILOs, Gallery Arigo, Inter Artes, Stiftung Angelika Fessler, Zürich |
| | Nachtstücke (Night Pieces), Gallery of the city of Remscheid |
| 1997 | Floris Neusüss, Nachtstücke (Night Pieces), Fotogramme von 1957-1997, Rheinisches Landesmuseum Bonn |
| | Floris Neusüss, Nachtstücke (Night Pieces), Museum Schloß Arolsen |
| 1995 | Sander Gallery, New York |
| | Stephen Cohen Gallery, Los Angeles |
| | ULO, Connecticut State University |
| 1993 | ULo family, Bildo Gallery, Berlin |
| 1992 | Gallery Elke Dröscher, Hamburg |
| | Kunstverein Heidelberger |
| | Benteler Morgan Galleries, Houston |
| | Kunstverein Gifhorn |
| 1990 | ULO's et Hommes (ULO's and Men), Gallery du Château d'Eau, Toulouse |
| | Gallery Neugebauer, Basel |
| 2004 | Il Nudo (The Nude), Galleria d'Arte Moderna, Bologna |
| | Faszination der Linie (Fascination of the Line), Antikenmuseum, Leipzig |
| 2003 | Von Körpern und anderen Dingen, Deutsche Fotografie im 20. Jahrhundert (Of Bodies and Other Things, German Photography in the 20th Century), Deutsches Historisches Museum, Berlin |
| 2002 | Peter C. Ruppert Collection, Museum im Kulturspeicher, Würzburg |
| 2001 | SchattenRisse (ShadowRips), Lenbachhaus, Munich |
| | Das Versprechen der Fotografie (The Promise of Photography), DG Bank Collection, Berlin, Hannover, Frankfurt/Main |
| | Bilder die noch fehlen, (Pictures Still Missing), Deutsches Hygiene-Museum, Dresden |
| | Schattenwesen - Lichtgestalten (Shadow Beings - Light Creatures), State Gallery Moritzburg, Halle |
| 2000 | Fotogrammas, KOWASA Gallery, Barcelona |
| | Re-Tracing the Image, National Museum of Photography, Film and Television, Bradford |
| | Abstraktionen (Abstractions), Museum Ludwig, Cologne |
| | Ansichten vom Künstler - fotografische Portaits (Views by Artists - Photographic Portraits), Museum Schloß Arolsen |
| | Revelation, Gallery Purdy Hicks, London |
| | Das Versprechen der Fotografie (The Promise of Photography), DG Bank Collection, Kestner Gesellschaft, Hannover |
| | Fotogene (Photogene), Kunsthalle tmp, Steyr |
| 1998 | Fotografie in Deutschland seit 1945 (Photography in Germany Since 1945), Schupmann Collection, Museum Schloß Arolsen |
| | Signaturen des Sichtbaren - ein Jahrhundert Fotografie in Deutschland (Signatures of the Visible - a Century of Photography in Germany), Gallery am Fischmarkt, Erfurt |
| | Zärtliche Betrachtung schöner Damen (Tender Observations of Pretty Women), Photographs from the Gruber Collection, Museum Ludwig, Cologne |
| 1997 | Im Reich der Phantome, Fotografie des Unsichtbaren (In the Realm of the Phantom, Photography of the Invisible), Städtisches Museum Abteiberg, Mönchengladbach; Kunsthalle Krems; Fotomuseum Winterthur |
| | Allemagne Années 80, Maison Europèenne de la Photographie, Paris |
| | Deutsche Fotografie - Macht eines Mediums 1870 bis 1970 (German Photography - Power of a Medium 1870 to 1970), Kunsthalle Bonn |
| | was ist (What Is), der deutsche Künstlerbund in Wismar and Rostock |
| | Positionen künstlerischer Fotografie in Deutschland seit 1945 (Political Art Photography in Germany Since 1945), Berlinische Gallery, Landesmuseum für Moderne Kunst, Photographie und Architektur, Berlin |
| | Klangbilder, Visuelle Umsetzung akustischer Wahrnehmungen (Sound Pictures, Visual Realization of Acoustic Perceptions), Kunstverein Heidelberg |
| 1996 | Zwischen Dokument und Abstraktion (Between Document and Abstraction), SK Stiftung Kultur, Cologne; Goethe Institut Paris |
| | Im Kunstlicht (In Art(ificial) Light, Photographs from the Collections in the Kunsthaus Zürich |
| | Neuerwerbungen (New Aquisitions), Photo-collection of the Museum Ludwig, Cologne |
| 1995 | Moholy and present company, Art Institute of Chicago |
| | Spectrum Fotogalerie, ein Rückblick (A Look Back), Sprengel Museum Hannover |
| | Kobe Aid Fund, World Photo Art Exhibition and Auction, Tokyo |
| 1994 | Photogram 1994, Vernon Etzel Gallery, Chicago |
| 1993 | Deutsche Fototage, Frankfurt/Main |
| | Experimental Vision, Denver Art Museum |
| 1992 | Sprung in die Zeit (Jump in Time), Berlinische Galerie, Landesmuseum für Moderne Kunst, Photographie und Architektur, Berlin |
| 1991 | Twelve Years Annelie Brusten Gallery, Kunsthalle Wuppertal |
| 1990 | Anweseneheit bei Abwesenheit (Presence in Absence), Kunsthaus Zürich |
| | Kultur, Technik und Kommerz - die Photokina Bilderschauen 1950-1980 (Culture, Technology and Commerce - The Photokina Picture Shows 1950-1980), Historisches Archiv der Stadt Köln |
| | Selections from the Graham and Susan Nash Collection, Los Angeles County Museum of Art |
| Berlinische Galerie, Landesmuseum für Moderne Kunst, Photographie und Architektur, Berlin |
| Rheinisches Landesmuseum, Bonn |
| Folkwang Museum, Essen |
| Museum für Kunst und Gewerbe, Hamburg |
| Sprengel Museum, Hannover |
| Staatliche Museen, Kassel |
| Museum Ludwig, Cologne |
| Fotomuseum im Münchner Stadtmuseum, Munich |
| Sterckshof Museum, Antwerpen |
| Victoria and Albert Museum, London |
| Bibliothèque national, Paris |
| Fonds national d'art contemporain, Paris |
| Università di Parma, centro studio e archivio della communicazione, Parma |
| Gallery du Château d'Eau, Toulouse |
| Erzbischöfliches Diözesanmuseum, Vienna (Sammlung Otto Mauer) |
| University of New Mexico Art Museum, Albuquerque |
| University of Texas, Gernsheim Collection, Austin |
| The Art Institute of Chicago |
| The Denver Art Museum |
| Houston Museum of Fine Arts |
| Graham Nash Collection, Los Angeles |
| LA County Museum of Art, Los Angeles |
| Museum of Modern Art, New York |
| International Museum of Photography, George Eastman House, Rochester |
| San Francisco Museum of Modern Art |
| The J. Paul Getty Museum, Photographic Collections |
| Nihon University Collection, Tokyo |
| Striped House Museum of Art, Tokyo |
